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Our exciting 2008-09 season opens

on Wednesday, October 1.

The museum is closed July-September

Members: Unlimited museum access to exhibitions and permanent collections.

 

SEASON EXHIBITIONS

 
 
 

  

  

PAST EXHIBITIONS

 

 

 

 

 

Don Bacigalupi

Related

Exhibition Lecture:

Don Bacigalupi, Ph.D.
Fernando Botero and the Art of Radical Stylization

Tuesday

February 3

10 a.m.

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Judith and Laurence Cutler

Related

Exhibition Lecture:

Judith and Laurence Cutler
Norman Rockwell and the American Imagists

Wednesday

February 11

10 a.m.
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Wendell Castle

Related

Exhibition Lecture:

Wendell Castle
Furniture as Art

Wednesday

February 18

10 a.m.
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Larry Dinkin

Related

Exhibition Lecture:

Larry Dinkin
Larry Dinkin: A Retrospective

Friday

October 24

10 a.m.
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Elizabeth Sterling

Related

Exhibition Lecture:

Elizabeth Sterling
Modernism in the Marketplace

Tuesday

February 10

10 a.m.
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Elizabeth Ferrer

Related

Exhibition Lecture:

Elizabeth Ferrer
Lola Álvarez Bravo

Friday

November 14

10 a.m.
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Season Exhibitions 2008-09

Exhibitions are presented in the Naples Museum of Art and in the Philharmonic Galleries.

The Philharmonic Galleries will be open one hour before most performances at the Philharmonic Center for the Arts to patrons with performance tickets. Come early and enjoy our Galleries as part of your Philharmonic Center experience! Naples Museum of Art tickets provide access to the Philharmonic Galleries during non-performance times. Between exhibitions and at non-performance times, the Galleries will be "dark" during the 2008-09 season.

 

THE BAROQUE WORLD OF FERNANDO BOTERO

Fernando Botero, The First Lady, 1989, oil on canvas. 84 1/2 x 69 inches

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

One hundred artworks are featured in this extraordinary retrospective of the Colombian neo-figurative artist Fernando Botero – the first major Botero exhibition in the U.S. in nearly 30 years. One of the most beloved artists of the Americas, Botero (b. 1932) is a painter, sculptor and draftsman who has captured the comedy and tragedy of human life for more than 50 years. Botero is known for his exaggerated rounded figures and rich palette combining the excesses of Spanish colonial baroque with the social realism of the Mexican muralists. The humorous surfaces of Botero’s art often belie a more serious message – a commentary on colonialism, political instability in Latin America and the vernacular artistic traditions of Europe and Latin America. This important retrospective draws on Botero’s own collection and includes paintings, sculpture in bronze and marble, pastels, drawings and watercolors.

This exhibition is organized and circulated by Art Services International, Alexandria, VA.

 

SATURDAY, JANUARY 31 THROUGH SUNDAY, MAY 3, 2009


    

NORMAN ROCKWELL: AMERICAN IMAGIST

Norman Rockwell (1894-1978) The Trumpet Player 1931, oil on canvas. 34 x 28 inches, signed lower left Saturday Evening Post cover, November 7, 1931 Photo: Courtesy American Illustrators Gallery, New York City. c. November 7, 1931 SEPS

 

 

 

 

 

 

 

 

 

 

  

The cover of the Saturday Evening Post was for years the greatest show window in America for an illustrator. Norman Rockwell (1894-1978), among the most enduring artists of the 20th century, became synonymous with the magazine, and his much-loved cover illustrations seemed to capture the optimism of the American spirit. Rockwell’s illustrations, filled with the nuances of ordinary people in everyday life, evoked a time and place that existed mostly in our hopes and aspirations. His legendary association with the magazine spanned 47 years, from 1916 to 1963. This exhibition includes original tear sheets featuring each of Rockwell’s 321 Saturday Evening Post covers. Also featured will be 15 original Rockwell oil paintings and other works.

Generously underwritten in part by Friends of Art at the Naples Museum of Art.

FRIDAY, JANUARY 2 THROUGH FRIDAY, MAY 15, 2009


    

LIVING WITH STUDIO FURNITURE:

COLLECTION OF ROBERT AND CAROLYN SPRINGBORN

John Cederquist, Flat Foot Floogie Builds a Bench, 2003, various woods and inks. Collection of Robert & Carolyn Springborn

 

 

 

 

 

 

 

 

 

Robert and Carolyn Springborn began collecting studio furniture in the mid-1980s and went on to amass one of the finest and most eclectic collections in the country. This tantalizing exhibition – the largest grouping of their collection ever shown publicly – features cabinets, tables, chairs, clocks, sculpture, vases, lamps, glass, paintings and other works by such acclaimed artists as Albert Paley, Wendell Castle, John Cederquist, Wendy Maruyama and others. Most of the work in this exquisite collection is functional art, which the Springborns have lived with for years. This season, the public has a rare opportunity to spend time with this unusual collection as the Springborns share it with the Naples Museum of Art.

FRIDAY, JANUARY 16 THROUGH SUNDAY, JUNE 28, 2009


    

LARRY DINKIN : A RETROSPECTIVE

Larry Dinkin, Interior Landscape, 1999, silkscreen (edition of 160). 36 x 46 inches

 

 

 

 

 

 

 

 

 

This is the first retrospective of renowned American painter Larry Dinkin (b. 1943), tracing the development of his art from figurative and landscape paintings to his singular “non-objective realism” style, which combines man-made and natural elements in an abstract context. Dinkin’s paintings have been described as “bizarrely beautiful,” as if to confirm the truth that beauty always contains something strange – something absurd within its harmony. Dinkin’s art takes the viewer to a vibrant world that is as compelling and mysterious as our dreams. Although his work is largely abstract, it also has a sense of structure and motion that is clearly rooted in the real world. As Dinkin puts it, “There are no refrigerators or cars in my work but there is a foreground and background and there is movement and light.”

Generously underwritten by Estelle and Martin Karlin.

 

WEDNESDAY, OCTOBER 1 THROUGH TUESDAY, DECEMBER 30, 2008


    

MARSDEN HARTLEY: AMERICAN MODERN

Marsden Hartley (American, 1877-1943),Western Flame, 1920, oil on canvas. Bequest of Hudson D. Walker Collection, Weisman Art Museum, University of Minnesota, Minneapolis

 

Marsden Hartley was at the center of the artistic and cultural maelstrom known today as early American modernism. His life and his art were never static, and Hartley (1877-1943) responded to the dramatic changes – political, cultural and artistic – that took place over the span of his career. He is equally well known for his groundbreaking abstract works as for his lyrical landscapes. This wide-ranging exhibition presents superb examples of Hartley’s work from each phase of his career. Included are early post-impressionist Maine mountain scenes, pre-World War I abstractions completed in Paris and Berlin, Provincetown experiments, New Mexican landscapes, still lifes from the 1920s and 1930s, Bavarian mountain pastels, 1930s archaic portraits and late Maine landscapes. Hartley’s unique, varied depictions of American life made him among the country’s most popular artists during his lifetime – and they continue to resonate in the 21st century.

Marsden Hartley: American Modern is organized by the Frederick R.Weisman Art Museum at the University of Minnesota, Minneapolis.

WEDNESDAY, OCTOBER 1 THROUGH SUNDAY, JANUARY 11, 2008


  

LOLA ÁLVAREZ BRAVO

Lola Alvarez Bravo, Frida Kahlo, c. 1944, Private Collection

Lola Álvarez Bravo is widely recognized as Mexico’s first major female photographer. A pioneering figure in the rise of modernist photography, Bravo (1903-1993) was a profound humanist who used the camera to chronicle the people and places of her beloved country over a remarkable six-decade career. Diverse in subject and technique, Álvarez Bravo was a photojournalist, portraitist and street photographer. Her best-known portraits, and ultimately the work for which she gained international recognition, are those of her colleague and friend Frida Kahlo. Primarily taken between 1944 and 1945, these portraits reveal a profound knowledge of Kahlo’s physical and emotional state of pain and conflict. As this exhibition shows, Bravo was a magnificent storyteller who depicted her subjects with honesty, curiosity and an abiding affection.

Aperture, a not-for-profit organization devoted to photography and the visual arts, has organized this traveling exhibition and produced the accompanying publications.

 

SATURDAY, NOVEMBER 1 THROUGH SUNDAY, JANUARY 4, 2009


    

DRAWING IN SPACE: THE PENINSULA PROJECT SCULPTURE BY

JOHN HENRY

John Henry, Sun Devil, 2004, aluminum, 23 feet H x 12 feet L x 10 feet D. On loan from the Utah Museum of Fine Arts, University of Utah, Salt Lake City, Utah, purchased with funds from the Phyllis L. Wattis Endowment for Modern and Contemporary Art.

Drawing In Space: The Peninsula Project is an exhibition of monumental works of sculpture by John Henry (b. 1943). Each sculpture will be placed in a public site in one of seven cities throughout Florida (Miami, Boca Raton, Naples, Tampa, Sarasota, Tallahassee and Orlando). Accompanying each work will be museum exhibitions documenting the scope of the project: the work, the process and the exhibition concept as a whole. Among the themes that Henry’s works embody are the early 20th-century interest in industrial materials and an exploration of scale. Each exhibition will be specific to its venue, offering Florida residents and visitors the perfect opportunity to travel from one city to another in order to view the various exhibitions and sculptures. Sweeping vistas of sky and water with a sunrise on one coast and a sunset on the other create a spectacular backdrop for these monumental works of art.

www.peninsulaproject.com

Generously underwritten by Bob and Terry Edwards.

WEDNESDAY, OCTOBER 1 THROUGH

TUESDAY, FEBRUARY 3, 2009


 

THE MOUSE HOUSE:

WORKS FROM THE OLGA HIRSHHORN COLLECTION

The Mouse House: Works from the Olga Hirshhorn Collection featuring works by Picasso, Giacometti, Calder and many others.

 

One of the most popular exhibitions at the Naples Museum of Art returns! The Mouse House is a treasure trove of great art, featuring works from Olga Hirshhorn’s collection by Picasso, Dalí, Man Ray, Giacometti, Calder, de Kooning and many other great 20th-century artists. “The Mouse House” is the name affectionately given to Hirshhorn’s small, art-packed house in Washington, D.C. Hirshhorn, who winters in Naples, and whose late husband Joseph Hirshhorn was the founding donor of the museum now bearing the Hirshhorn name in Washington, is an avid collector in her own right. The Mouse House recreates the atmosphere of her home and is a reflection of Olga’s taste and style.

WEDNESDAY, OCTOBER 1 THROUGH SUNDAY, JUNE 28, 2009


 

 

 

Philharmonic Center for the Arts